One of the questions is whether the universe will expand forever or someday stop.
NASA has launched two missions to study the cosmic background radiation, and to take pictures to better understand this phenomenon.
lunes, 30 de septiembre de 2013
Big Bang
The Hubble Space Telescope observed that galaxies outside our own Milky Way are away. This made us think that the whole universe has been expanding. When the universe was contained in a single point. It happened a violent event, "The big bang".
One of the questions is whether the universe will expand forever or someday stop.
NASA has launched two missions to study the cosmic background radiation, and to take pictures to better understand this phenomenon.
One of the questions is whether the universe will expand forever or someday stop.
NASA has launched two missions to study the cosmic background radiation, and to take pictures to better understand this phenomenon.
"Maldita Vecindad"
The Damn Neighbourhood and the Sons of the Fifth Patio, usually called only "La Maldita") are a band formed in Mexico City in 1985. They are pioneers in rock en Español and are one of the most influential rock bands in Mexico.
They first made an impact with "Mojado", "Un poco de sangre", "Cocodrilo", "Pachuco" and "Un Gran Circo," which narrates the problems, adventures, and beauty of a society anxious to improve its economic status. Their wardrobe has incorporated elements of the Pachuco, an archetypical character represented by Tin Tán in the Mexican cinema. Tin Tan is sampled in one of the group's biggest hits, 1991's Pachuco.
The last studio album recorded was in 1998. Since then, the band has collaborated with other bands, as well as having participated in tribute albums like the tributes for José José and Tigres del Norte. Their sound incorporates many styles, including Ska, Rock, and traditional Cuban forms such as the bolero and Cuban Son. Roco, the band's vocalist, dresses in a manner reminiscent of the Pachucos.
Throughout their career, La Maldita Vecindad has remained a creative force as it has also managed to create unique covers of songs by artists from strikingly different genres like Los Tigres del Norte, Armando Manzanero and Juan Gabriel.
Their newest CD, Circular Colectivo, (Nacional Records 2010) maintains much of the ska/punk energy with a contemporary sound. The lyrics talk about the crisis that Mexican society faces in a rapidly changing global economy while paying tribute to Rahsaan Roland Kirk and Ernest Ranglin. The production by San Francisco based producers, Greg Landau (Susana Baca, Patato Valdez, Quetzal) and Hector "Hecdog" Perez, helped the band craft a new path in Mexican music. The CD features two cameos by Cuban pianist Omar Sosa.
They first made an impact with "Mojado", "Un poco de sangre", "Cocodrilo", "Pachuco" and "Un Gran Circo," which narrates the problems, adventures, and beauty of a society anxious to improve its economic status. Their wardrobe has incorporated elements of the Pachuco, an archetypical character represented by Tin Tán in the Mexican cinema. Tin Tan is sampled in one of the group's biggest hits, 1991's Pachuco.
The last studio album recorded was in 1998. Since then, the band has collaborated with other bands, as well as having participated in tribute albums like the tributes for José José and Tigres del Norte. Their sound incorporates many styles, including Ska, Rock, and traditional Cuban forms such as the bolero and Cuban Son. Roco, the band's vocalist, dresses in a manner reminiscent of the Pachucos.
Throughout their career, La Maldita Vecindad has remained a creative force as it has also managed to create unique covers of songs by artists from strikingly different genres like Los Tigres del Norte, Armando Manzanero and Juan Gabriel.
Their newest CD, Circular Colectivo, (Nacional Records 2010) maintains much of the ska/punk energy with a contemporary sound. The lyrics talk about the crisis that Mexican society faces in a rapidly changing global economy while paying tribute to Rahsaan Roland Kirk and Ernest Ranglin. The production by San Francisco based producers, Greg Landau (Susana Baca, Patato Valdez, Quetzal) and Hector "Hecdog" Perez, helped the band craft a new path in Mexican music. The CD features two cameos by Cuban pianist Omar Sosa.
Reventour 2013
In the framework of the festival " Reventour " organized " beer star" lived a great atmosphere with the poster that we presented this year with bands like :
Liquits
dissident
Mexican Institute of Sound (IMS )
Tiny Division
inspector
the Bunkers
Kinky
Caifanes
Molotov
The festival began at 3 pm with a performance by Liquits , with its well-known hits " Garden " and " Peas Magic " ambientaron attendees , which gradually gave two street appointment .
Around 3:40 pm was the turn of the IMS , whose electronic sound and made the audience dance cumbia , with songs like " I say dance , you say dance" and " Mexico " which pleased a lot.
Dissenting was the turn for the stage, with an audience super lit dance , leap , bathed in the rain of beer and sand, I sing all the hits from the band.
Tiny Division took the stage and an audience full of euphoria, in which they were received with shouts and applause known songs and songs from his new production which are being released .
After the presentation of these four bands and almost a full house , took the stage " Inspector" which ska danced with his hits " Amnesia " , " monkey face " and a song from his new album " I 'm falling "during his presentation Vivó good atmosphere since he published had enough time no see in this city.
Already in the late afternoon , arrived on the scene " The Bunkers " and with his now famous song " Come here," began his presentation , which already has a full house audiences enthusiastically received them with shouts , cheers and jumps, did a great turnout , with hits like " Bring on the city", " A cloud hangs over me" and the first single from his new album " Dancing alone" never let the mind fall among the attendees , however were left wanting hear more of his great music.
Was his turn to go on stage to " Kinky " , they met with a full house and the audience super on, which the rhythm of " Dancing to burn " made the place vibrate , Gil Cerezo invite the public to enjoy this event and delighted us with great songs like " Soun tha my first love " , "After the after" and " where are the dead."
From Saul Hernandez voice heard " This is your ritual race" and start the big night of " Caifanes " with songs like " Kill me because I 'm dying " , " Here we are so " , " Ash Wednesday " , "Fear" " Before we forget " , "The cell that exploits " and " La negra Tomasa " the crowd went crazy to get back to this great Mexican rock band , which brought together several generations for this presentation over one hours , giving an indication that " Caifanes " is emerging . It should be noted that while playing members of " Inspector" and " bunkers " were present in the audience to witness the spectacle that we experienced .
Finally it was the turn for " Molotov " which found an audience super excited and apprehend no difficulty with songs like " Go fuck yourself! " , " Gimme the Power" , "Better cholo " , " Frijolero " and " Puto" that between jumps and shoving made the public enjoy his presentation. During his presentation tapatío thanked the public for the reception , also thanked " Caifanes " to be among the audience watching your presentation.
That's how we live again this festival " Reventour " which filled us with great joy to watch and listen to great bands , hopefully next year have a big sign as it was on this occasion.
Liquits
dissident
Mexican Institute of Sound (IMS )
Tiny Division
inspector
the Bunkers
Kinky
Caifanes
Molotov
The festival began at 3 pm with a performance by Liquits , with its well-known hits " Garden " and " Peas Magic " ambientaron attendees , which gradually gave two street appointment .
Around 3:40 pm was the turn of the IMS , whose electronic sound and made the audience dance cumbia , with songs like " I say dance , you say dance" and " Mexico " which pleased a lot.
Dissenting was the turn for the stage, with an audience super lit dance , leap , bathed in the rain of beer and sand, I sing all the hits from the band.
Tiny Division took the stage and an audience full of euphoria, in which they were received with shouts and applause known songs and songs from his new production which are being released .
After the presentation of these four bands and almost a full house , took the stage " Inspector" which ska danced with his hits " Amnesia " , " monkey face " and a song from his new album " I 'm falling "during his presentation Vivó good atmosphere since he published had enough time no see in this city.
Already in the late afternoon , arrived on the scene " The Bunkers " and with his now famous song " Come here," began his presentation , which already has a full house audiences enthusiastically received them with shouts , cheers and jumps, did a great turnout , with hits like " Bring on the city", " A cloud hangs over me" and the first single from his new album " Dancing alone" never let the mind fall among the attendees , however were left wanting hear more of his great music.
Was his turn to go on stage to " Kinky " , they met with a full house and the audience super on, which the rhythm of " Dancing to burn " made the place vibrate , Gil Cerezo invite the public to enjoy this event and delighted us with great songs like " Soun tha my first love " , "After the after" and " where are the dead."
From Saul Hernandez voice heard " This is your ritual race" and start the big night of " Caifanes " with songs like " Kill me because I 'm dying " , " Here we are so " , " Ash Wednesday " , "Fear" " Before we forget " , "The cell that exploits " and " La negra Tomasa " the crowd went crazy to get back to this great Mexican rock band , which brought together several generations for this presentation over one hours , giving an indication that " Caifanes " is emerging . It should be noted that while playing members of " Inspector" and " bunkers " were present in the audience to witness the spectacle that we experienced .
Finally it was the turn for " Molotov " which found an audience super excited and apprehend no difficulty with songs like " Go fuck yourself! " , " Gimme the Power" , "Better cholo " , " Frijolero " and " Puto" that between jumps and shoving made the public enjoy his presentation. During his presentation tapatío thanked the public for the reception , also thanked " Caifanes " to be among the audience watching your presentation.
That's how we live again this festival " Reventour " which filled us with great joy to watch and listen to great bands , hopefully next year have a big sign as it was on this occasion.
"Mano Negra"
Named in honor of an Andalucian anarchist group, Mano Negra emerged from the same Parisian artists' scene which also gave rise to the like-minded Les Negresses Vertes, drawing equal influence from the punk ethos of the Clash and the multitude of sounds and rhythms endemic to the global music community. Formed in 1986 from the remnants of the neo-rockabilly unit the Hot Pants, Mano Negra essentially consisted of vocalist Manu Chao, his trumpeter brother Tonio and drummer cousin Santiago Casiriego, Spanish natives who fused rock, rap, flamenco and rai to create a heady brew they dubbed "Patchanka," a name derived from a Spanish pejorative for dancehall music. Mano Negra's debut LP, also titled Patchanka, appeared in 1988, scoring the French indie hit "Mala Vida."
The record's success led to a contract with Virgin, which in 1989 issued the group's sophomore effort Puta's Fever (Dominican slang for a sexually-transmitted disease caught from a prostitute), increasing the band's visibility abroad as well as establishing them as France's most popular alternative act. While 1991's King of Bongo attempted to broaden their Anglo fanbase via the inclusion of several English-language tracks, but their focus quickly turned to South America when in 1992 they embarked on the "Cargo Tour," travelling to a series of port cities to perform on a stage built into their ship's hold. Mano Negra returned the following year, this time journeying by rail from Colombia's Caribbean coast to the capital city of Bogotá, giving free concerts at stations en route. Latin influences dominated 1994's Casa Babylon, which proved to be the group's final record; Manu Chao later resurfaced in Radio Bemba, and released his first solo album (Clandestino) in 1998.
The record's success led to a contract with Virgin, which in 1989 issued the group's sophomore effort Puta's Fever (Dominican slang for a sexually-transmitted disease caught from a prostitute), increasing the band's visibility abroad as well as establishing them as France's most popular alternative act. While 1991's King of Bongo attempted to broaden their Anglo fanbase via the inclusion of several English-language tracks, but their focus quickly turned to South America when in 1992 they embarked on the "Cargo Tour," travelling to a series of port cities to perform on a stage built into their ship's hold. Mano Negra returned the following year, this time journeying by rail from Colombia's Caribbean coast to the capital city of Bogotá, giving free concerts at stations en route. Latin influences dominated 1994's Casa Babylon, which proved to be the group's final record; Manu Chao later resurfaced in Radio Bemba, and released his first solo album (Clandestino) in 1998.
World press photo 2013
As every year, the best of photojournalism worldwide Museo Franz Mayer reached the World Press Photo 2013 exhibition that will be seen until 29 September.
143 images is impacting its rawness and surprised by its beauty, which show fragments of an infinite visual mosaic, taken by photographers from around the world, those viewers of situations, events and places that otherwise would almost impossible to observe.
The photographs that make up the World Press Photo 2013, show human suffering, the horrors of war, violence and crime and gang life on individual images or in photo essays.
They can see the horrors caused by the lack of respect and the rule of law. Photographs are extraordinary, the best in the world, depicting the tragedies that live in our days.
Divided into various categories such as contemporary issues, daily life, sports action, sports chronicle, portraits in the environment, nature, news and portraits, attendees will see a wide range of the best photographs, of high aesthetic quality and beautiful composition.
The aim of World Press Photo is to inspire understanding of the world through quality photojournalism. The annual exhibition is traveling and will tour 100 cities in 45 countries. (Through Conaculta)
143 images is impacting its rawness and surprised by its beauty, which show fragments of an infinite visual mosaic, taken by photographers from around the world, those viewers of situations, events and places that otherwise would almost impossible to observe.
The photographs that make up the World Press Photo 2013, show human suffering, the horrors of war, violence and crime and gang life on individual images or in photo essays.
They can see the horrors caused by the lack of respect and the rule of law. Photographs are extraordinary, the best in the world, depicting the tragedies that live in our days.
Divided into various categories such as contemporary issues, daily life, sports action, sports chronicle, portraits in the environment, nature, news and portraits, attendees will see a wide range of the best photographs, of high aesthetic quality and beautiful composition.
The aim of World Press Photo is to inspire understanding of the world through quality photojournalism. The annual exhibition is traveling and will tour 100 cities in 45 countries. (Through Conaculta)
International Film Festival of Morelia 2007
Eleven years ago I was born in the city of Morelia an event dedicated to celebrating film culture of Mexico and the world : the International Film Festival of Morelia . His arrival drew attention from the beginning to be a festival dedicated to support young filmmakers from Mexico .
The International Film Festival of Morelia decided to release in 2007 a new official competition section : the Mexican feature films are debuts or second films of directors that perform . With this foray , the new FICM has planned be a showcase for Mexican filmmakers who are starting their careers , following true to its mission to support young filmmakers . The aim of this section was the highlight attract new jobs and provide Mexican filmmakers what Elisa Miller has called a "springboard " for display in the international festival circuit .
At eleven years of his birth, the International Film Festival of Morelia is a young festival has achieved an important position in the international arena . Special emphasis has been sought for the quality care of both their organization and selected works , the central position of the filmmakers, jurors quality and prestige of the special guests are the hallmarks of this Festival .
In 2007 , the Intenational Film Festival of Morelia was formed essentially by four competitive sections , to celebrate its 5th ediución :
- Mexican Short with 45 jobs ;
- Mexican Documentary with 16 realizations ;
- Section Michoacana , with 9 generated works Michoacan ;
- For the first time , Mexican Feature Film Section , composed of six productions
Among the special programs of the 5th edition , emphasizes the presentation of the films of the week International Critics Film Festival of Cannes 2007 with Meduzo t of Etgar Keret and Shira Geffen, won the Camera d'Or , We retouvailles of David Oelhoffen (France ) ; Voleurs de Chevaux by Micha Wald (Belgium ) Blue Eyelids by Ernesto Contreras ( Mexico ) and XXY , Lucía Puenzo ( Argentina ), winner of the Grand Prize of the Critics' Week .
The Official Festival Program , an attractive integrated sample included with the selection of more than 50 premieres of the best domestic and international film . Among the Mexican premieres include: The Legend of Nahuala Ricardo Arnaiz and afraid Wind Up by Gustavo Moheno.
The International Film Festival of Morelia decided to release in 2007 a new official competition section : the Mexican feature films are debuts or second films of directors that perform . With this foray , the new FICM has planned be a showcase for Mexican filmmakers who are starting their careers , following true to its mission to support young filmmakers . The aim of this section was the highlight attract new jobs and provide Mexican filmmakers what Elisa Miller has called a "springboard " for display in the international festival circuit .
At eleven years of his birth, the International Film Festival of Morelia is a young festival has achieved an important position in the international arena . Special emphasis has been sought for the quality care of both their organization and selected works , the central position of the filmmakers, jurors quality and prestige of the special guests are the hallmarks of this Festival .
In 2007 , the Intenational Film Festival of Morelia was formed essentially by four competitive sections , to celebrate its 5th ediución :
- Mexican Short with 45 jobs ;
- Mexican Documentary with 16 realizations ;
- Section Michoacana , with 9 generated works Michoacan ;
- For the first time , Mexican Feature Film Section , composed of six productions
Among the special programs of the 5th edition , emphasizes the presentation of the films of the week International Critics Film Festival of Cannes 2007 with Meduzo t of Etgar Keret and Shira Geffen, won the Camera d'Or , We retouvailles of David Oelhoffen (France ) ; Voleurs de Chevaux by Micha Wald (Belgium ) Blue Eyelids by Ernesto Contreras ( Mexico ) and XXY , Lucía Puenzo ( Argentina ), winner of the Grand Prize of the Critics' Week .
The Official Festival Program , an attractive integrated sample included with the selection of more than 50 premieres of the best domestic and international film . Among the Mexican premieres include: The Legend of Nahuala Ricardo Arnaiz and afraid Wind Up by Gustavo Moheno.
International cervantino festival 2008
The FIC is the most important artistic and cultural event in Mexico and Latin America.
Since 1972, the year of its creation, it's home has been the city of Guanajuato. Founded in 1546 and declared a UNESCO World Heritage Site in 1988, this paradigm of colonial architecture in the heart of Mexico was named American Capital Cervantes.
In it's origins and as a tribute to Don Miguel de Cervantes, the festival spread mainly all artistic creations in Spanish, and each year recalls the tradition of Guanajuato University Theatre. Currently, its programming is open to different paths and worldviews and contemporary conceptions of cultural work to become a space for meeting and exchange.
Besides occupying a special place among the four most important festivals of it's kind worldwide, the International Cervantes Festival is a member of the European Festivals Association and the Association of Performing Arts Festivals of Asia.
program
1. Joan Manuel Serrat Opens on Wednesday October 8th at 8:00 pm in the Esplanade of the Corn.
2. Ely Guerra presented on Wednesday 15, same time, same place.
3. Camilo Lara aka the Mexican Institute of Sound.
4. Cafe Tacuba Closing the festival on Sunday 26 in the Corn Exchange at 8:00 pm.
Luis Eduardo Aute was present in the Auditorium of Museo Casa Diego Rivera presenting an animation titled A dog called Pain.
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